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Saturday, November 19, 2016

Who will Lose? Indian Currency Demonetisation v/s Notebandi


(Notebandi is a Hindi hybrid word for stopping circulation of currency notes often used by Hindi media and those against Indian Government’s move at demonetising)

Either way, this Indian winter will go down as one that changed the public narrative and altered the lives of common people in a big way. And it has very little to do with the usual nip in the air or lack of it. Since November 8, when the Indian Prime Minister, Narendra Modi, went on the national television, announcing that at the stroke of midnight, Indian currency notes of rupees 1,000 (USD 15) and 500 will cease to be legal tender, the nation has been in a tizzy.

What has followed includes long queues outside banks and ATMs causing visible inconvenience to people, overworked bank staff, divided (social) media opinions, uproars inside & outside the parliament and a government that has been issuing instructions and changing them by the day. The media reports have been showing winding queues of disappointed people waiting, as cash runs out frequently at the various banks and ATMs. So far, various reports have attributed 47 deaths to this move; with people dying as hospitals unwilling to accept old notes refused treatment or due to gross physical & mental stress faced in the process of exchanging discontinued currency.

The Quantum of Issue

The data released by Reserve Bank of India in 2016 puts the total Indian currency under circulation at around 15 lakh crore Indian rupees (USD 231 billion). 80% of which, 13 lakh crore rupees (USD 185 billion) is in the form of the two discontinued notes. As per noted Economist Arun Kumar, in his interview in Caravan magazine, the estimated quantum of black money lying as immobilised cash is only around 2-3 lakh crores (up to USD 46 billion).

India makes largest number of transactions in the world in cash, making it an economy that is highly dependent on cash. In this milieu to replace the huge value of discontinued notes is no mean exercise and by several estimates may take anywhere between 3-6 months.

At the same time lack of liquidity in the market impacts both the supply and demand side. This will mean that there will not be enough cash available to invest in activities that produce value or consume the value thus created.  

The Differing Narrative

The supporters of the move have described it as the biggest nation building move to flush out black money (undeclared cash often accumulated by illegal ways) and fake currency notes. It is also the narrative pushed by the government as demonetisation makes the black money useless and curbs its use by the groups perpetrating terror on Indian soil. The narrative also acknowledges inconvenience caused to commoners as temporary and bills it as a sacrifice on the way to a nation free of black money and terrorism. The government also does not agree that despite hardships to the people there has been any lack of planning on its behalf. This narrative also dubs demonetisation as an economic master stroke, since huge quantities of black money will not come back to banks and it will leave a surplus of around USD 45 billion that can be invested to grow the economy.

The group that has been opposing the move terms demonetisation as an ill-conceived and badly planned move that has put economy, business, agriculture and lives of poor, especially rural population to crisis. The narrative pushed by the group is that it was an unnecessary exercise which in order to flush out a minuscule amount of black and fake currency has drained 86% of currency notes from a highly cash based economy leading to short and long term damages.

They also doubt the credibility of Prime Minister as his party had allegedly spent around 10,000 crore rupees (USD 1.5 billion) mostly in cash from unknown sources to win office in 2014. Besides, as per them, the move is to polarise people ahead of crucial state elections in Uttar Pradesh, a province with 204 million population. Some also allege that the move is to increase deposits in the Indian banking system which has been reeling under high levels of non-performing assets; and the defaulters are friends of the government whose loans will be squared off by the liquidity generated by this move. Most of the ill-gotten wealth is not stored in cash but either taken out of the country or invested in properties, gold and collector items. So as per them, Notebandi has brought down a mountain to do away a small molehill.

This group also pooh-poohs government’s claim of eliminating black money, since sources of corruption, illegal wealth creation, fake currency and terrorism still exist. The scrupulous will work overtime to quickly bring things back to square one. As per them, the Prime Minister has grossly failed in fulfilling his election promise of bringing back black money stashed abroad and hence has created this theatrical act.

How is it impacting lives of the people?


Those who have loads of black money stashed outside the country in foreign currency are the least impacted. The government already has list of such people but has seen no visible action so far. Time will only tell if they will be next but for now there is no tax man knocking on their doors.

The people that had immobilised cash in the country held in these two discontinued denominations are the ones that have lost out big. However, for obvious reasons they cannot be overt about it. Some of them may even be playing to the lobby and supporting the move. Many of them are already busy using ingenious ways to show higher cash in hand, which is then deposited in a legit fashion with the banks. It is also alleged that some of the people who were close to the government may have got wind of the change and converted cash to gold, properties and other assets.

The 267 million Indian middle class is polarised lot today. Experts, media and social media is awash with posts, articles, videos and statistics to back each claim. The affluent part of the middle class is the one that holds majority of 130 million credit and debit card in India. The inconvenience due to cash crunch has not bothered this subsection much, as they have the option of using electronic money. Possibly the real inconvenience will reach their shores in two weeks when they will have to make cash disbursements to their drivers, maids, cooks and other helpers.

The worst hit are the not so affluent parts of middle class and the people below poverty line. India is house to world’s largest poor population that survives on less than USD 2 per day. For a population of 1.2 billion, there are only 400 million bank accounts. The majority of these two segments don’t have a bank account. These are the ones that are left high and dry. Their paltry savings or the salaries they had days prior to announcement is in the form of discontinued currency. These are the ones that are desperately queuing up outside banks, often returning disappointed for days.

The poor have been hit doubly hard. Not only they are unable to use the money in hand but also they are not receiving wages due to lack of cash with employers. Most of them live on what they earn daily and that has been disrupted.

The farmers don’t have money to sow their next crop and are unable to sell their new harvest. Small vendors and businesses are similarly impacted. It is also the season for weddings. The cash crunch has created difficulties on this front too. It is also having a negative effect on the sick and poor, who are being refused treatment despite instructions by the government.

The industry and business in the formal sector will also get impacted, but how much will be clearer from the macro indices that will be out in the New Year.

How is this likely to end?   


Like any burning issue demonetisation will also drop-off public scrutiny in couple of weeks, but to say that everything will be normal is an overstatement.

It may end with both sides claiming victory by raising decibels in the media and social media. The 270 million middle class will get further polarised, some of who will shortly go on to vote during elections in 7 Indian provinces, including big states of Uttar Pradesh and Gujarat.


Unfortunately, the poor will get poorer as they may not survive this cash crunch very well. But does anybody care? 

Thursday, November 10, 2016

Polarising Voters to Win- Trump-Modi phenomenon


Last year, around the same time when the US Presidential Election primaries had just started, I was having lunch with few colleagues in Jakarta's Central Business District.


The conversation veered to Donald Trump, who had already started making headlines through his high decibel and often scoffed upon campaign. On my either side, was an American and a European, who totally dismissed the idea of Donald Trump even securing a nomination.

I differed having just witnessed a highly polarising campaign back home in India that brought Prime Minister Narendra Modi to power. My colleagues seemed dismissive of the fact that elections in India were any indicator for a great democracy like America. They didn't show any sign of knowledge that country in discussion, India, is the largest democracy in the world; and a comparison with the second largest democracy, USA, was not far fetched. The conversation veered to other topics as we cleaned morsels from our plates, sitting in the third largest democracy of the world, Indonesia.

Now since the election results are behind and we all are wiser in hindsight, I  am tempted to document my prognosis. These could also be the future situations that soon to be President Trump will need to watch out for and nip in the bud. 

1. The dissenting voices are not branded as anti-national; when people express opinion which is at cross purpose, they are not declared as seditious and trolled by an army of paid influencers and foulmouthed followers.

2. Freedom of independent bodies- academia, media and civil society does not get curbed and attempts to brand them as sympathizers of terrorists and enemies of the nation don't get encouraged.

3. The government machinery and national policies don't get coated in populism to win a future election, or for destroying opposition and benefiting the people that supported one to win. 

4. The nationalistic rhetoric does not take the country to war and conflicts with other countries in the world, just to win a populist vote back home. 

5. The systematic destruction of pluralism does not happen; the spread of religious hatred and intolerance, which in turn  leads to gross violation of human rights does not get a fillip.

Sooner or later, the actors that compromise democratic values are shown door by the very tools of suffrage that brought them to office. This surely should not be any leader's destiny.           

Wednesday, July 29, 2015

Movie Review: Bajrangi Bhaijaan- a story of its own

By: Aadyaa Shukla Tiwari

‘Imagine, if you find a Pakistani girl who is mute, lost in an unknown ‘hostile’ land (India) alone, would you help her cross the border though you don’t have any visa or passport? ’

A STORY OF ITS OWN

Bajrangi Bhaijaan is a story that portrays the sensitive topic of India and Pakistan relationship. It stars Salman Khan as Pawan aka Bajrangi, a devout Hindu follower of god Bajrangi and Hershali Malhotra as Muni aka Shahida, a mute Pakistani girl se
parated from her parents, Kareena Kapoor as Rasika the fiancé of Salman khan and  Nawazuddin Siddiqui a small town Pakistani journalist have prominent roles. Once again, this proved to be a well-directed movie by Kabir Khan who already has other productions like New York to his name. Om Puri also packs in a powerful performance in his cameo appearance as a Pakistani maulvi (religious teacher).

MUSIC & EDITING

Three songs out of the few in the movie are very emotional and heart rending. The back ground music also contributes to teary eyed moments in the movie. The editing from  Rameshwar S. Bhagat is well executed, which includes some Salman Khan signature action scenes that may prove entertaining for his die-hard fan following.

HUMOR AND EMOTIONS

This film is definitely worth a watch, buy some popcorn and coke to go along and enjoy the show. It also has its humorous parts, like when Salman Khan gets angry at an official in the Pakistan embassy and shouts, “That I will throw you, Pakistani out of India. “  The official in turn replies “What are you talking about? I am a Jaini (follower of Jainism and therefore Indian citizen) just working for the embassy.” This makes audience explode with laughter.

ACTING & DIRECTION

Salman Khan again is at his best during action and melodramatic scenes, but for a change gives a decent performance during some of the humorous scenes. Kareena Kapoor, only has 2-3 leading scenes which she does well but her role almost finishes as the Pakistan journey begins. Nawazuddin Siddiqui delivers another gem of a performance. He naturally essays funny as well as emotional moments and is the highlight of the acting department. Om Puri is powerful and displays his characteristic élan. Sill it is Hershilla Malhotra as young Shahida, who with her cute looks will be remembered most. The other child actor that plays cousin to Rasika’s character (Kareena Kapoor) is simply brilliant.

Kabir Khan needs to be credited for delivering such a successful film that connects with masses. He also succeeds in making Salman Khan act as per the needs of film. The character artists too have been chosen well and contribute to making film appear as a continuous story.



FINAL VERDICT


As I said before, this is worth a watch.I will give it 3.5 out of 5 stars. It is a nice movie for a family to watch together and that too on a big screen so as to enjoy good quality of production.

Wednesday, February 22, 2012

Poetry from the pen of a social activist






Dr Harvinder Bakshi who has dedicated most of his life in advocating for the rights of elderly in India, is also a prolific poet. Some of his creations that highlight burning issues in our milieu are presented here for your reading.

Friday, June 17, 2011

Smiling Hospital Foundation Of India

Is happiness only about buying a new dress, going to an exotic location, splurging on material things? Take a pause …..there’s more to life …..happiness also comes from the smiling faces of these lovely , not so blessed , sick children . Thank God for the little mercies and the opportunity to put a smile on their sad faces . Thanks to Smiling Hospital Foundation of India for the magic show put up at Safdurjung Hospital , Delhi on 11th June , 2011. ( Smiling Hospital Foundation of India) .

Wednesday, May 25, 2011

SHAREHOLDERS APPROVAL FOR CSR ACTIVITIES

To check ad hocism and get more transparency in the system , companies may have to take approval from the shareholders for their philanthropic aspirations.The government has already initiated the process and the New Companies Bill may soon include this condition.
Follow the link below to know more on this
http://epaper.hindustantimes.com/PUBLICATIONS/HT/HD/2011/05/25/ArticleHtmls/Shareholder-approval-key-for-CSR-activities-25052011703002.shtml?Mode=1

Sunday, May 22, 2011

Bechara Maara Gaya- play by Mashaal now in NCR

Dear Friends,

After a super successful run in Bangalore, Mashaal invites you to the staging of our comedy production




‘Bechara Maara Gaya’


5th June 2010, 7:30pm

Epicenter at Apparel House,

Near HUDA City Center Metro Station

Sector 44, Gurgaon



About The Play:
A self-scripted play, “Bechara Maara Gaya” is an adaptation of Dario Fo’s Accidental Death of an Anarchist. A bomb blast, huge public pressure, a desperate police trying to cover its own tracks, and a maniac out to expose them — all come together for this fast-paced story, interspersed with wit and satire

Entry: Rs. 350/250/150 per person

Online Booking: Book My Show (www.bookmyshow.com)

Tele-booking: +91-9968-615-861, +91-8800-640-011

Mashaal is a theatre group formed by HDC, BITS, Pilani alumni. Please feel free to call or mail us for queries.


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Friday, May 22, 2009

Story Telling @ IHC New Delhi



For more information and future prorgammes click on the link below

http://www.rangshala.com/theatreevents.htm

Wednesday, April 22, 2009

Delh:Unspoken Sories (without impositions & interpretations)






This weekend will see a rare display of art at Academy of Fine Arts & Literature by Sudhir Pillai. Sudhir captures the nuances of real life in a very simplisitc style that makes no attempt to impose an external structure, or to interpret the situation with preconceived notions.








The end result is an art that can be interpreted by everyone. So do not worry if you have never been to one. You are in for a surprise.



Date: April 25-29 (opening at 6pm on April 25th)
Place: Academy of Fine Arts & Literature; 4/6 Sri Fort Institutional
Area, New Delhi.
Contact: sudhirpill@gmail.com

Friday, July 25, 2008

Mashaal presents Sanchay


Mashaal brings to you Sanchay. Sanchay (meaning 'Collection' in Hindi) is a new initiative by Mashaal which aims to showcase on stage, a few short pieces of theatrical performances, different from one another in content & presentation, but united by a common theme.


Theme : Sapne

Language : Hindi
Date & Time : 27th July, 7:30 p.m.
Location : CFD (Centre for Film and Drama)
Duration : 60-70 minutes
Entry : Rs. 75
For bookings contact: +91 9739803104 or mailmashaal@gmail.com

About The Theme

The theme for this "Sanchay" is 'Sapne' (Dreams). Every human on Earth nurtures a dream during the waking hours and everyone is amused, frightened, flabbergasted by the dreams they see with their eyes shut. Both kinds of dreams play important roles in our lives. What happens when your dreams are shattered? What kind of crazy, weird, more-realistic-than-real dreams do you see when asleep? The things you wanted from life, the dreams that you had seen, have you realized them? Have they changed? Were they forced to change? Did you give them up? There are a million questions. We could spend all our lives asking them, and receive answers to only a few. And yet, Dreams continue to be as necessary and as intriguing as ever.

Saturday, July 5, 2008

Good Honking Bad Honking!


-by Anup Tiwari Saturday, July 05, 2008

(This story has originally appeared at MSN India website)
http://content.msn.co.in/Contribute/Others/UCStory7481.htm
Suddenly everyone is saying that honking is bad. Initially it was just my expat friends. As I write this I am reminded of a former colleague from London. We were driving together and I honked having to negotiate a blind curve. She remarked," I know how to become a millionaire in India". I did not quiet understand and looked at her for more. " I just need to start a car horn business", she said with a wink.

Now it is almost everyone. There was this big no-honk campaign in Mumbai cheer led by 'the AB', himself, around the launch of his film- Bhootnath. The Delhi administration was though not impressed and said that Delhi's traffic was a different animal that did not need a similar campaign. But that is a different story of indifference reserved for a different day.

Coming back to honking. Yes, honking is bad. Especially, when it is needless and continuous.Not the single beep gentle variety. More so when it is a pressure horn.

But wait, there is a good honking too. Don't slaughter me for that expression. Read on.

I was in Lucknow being driven around the city by a friend of mine. He had then newly bought the erstwhile Matiz. A hot new launch around that time. I am sure many of us can go back in our minds and recall it vividly.

Now this friend of mine was a polite non-honker. At one of the narrow zones near Hazaratganj, he had no option but to overtake this slow moving tempo. He did it, but in the process scratched his car. Both the drivers pulled to the side. The tempo driver stepped out and said in his fully rustic dialect, "What sir, you are driving such a luxury car and being miser about honking."

Well that is good honking for you. The type that will guaranty that your car goes scratch free.

There is more. Picture this. You are on a red light. Slowly you have taken a start like a cricket fielder and are almost at the verge of crossing. You are at a point where you cannot see the colour of the signal. What do you pray for? I know I pray for the honk to signal that light is green. The first honk and you know it is accelerator time.

Another one at the traffic signal. Have you ever been lucky to be at the head of the waiting traffic? I don't know why but when I am at the head of the pack, my mind and eyes tend to rove. Suddenly I am not there. Then somewhere from behind comes this god send honk. I am pulled out of my reverie. It is driving time again. I don't know how I could have ever done without this music to the ears. I would have never ever hit on my smart (?) collage of ideas.

But wait don't let me make non-honkers turn honkers. The idea is to stop bad honking but keep on doing good honking.

Saturday, June 28, 2008

An Evening of Lilting Music- Neeta delights


It was a pleasure to attend "Gulistan", an evening of enchanting melodies and divine rythms by Neeta Soorma at Gurgaon's new cultural hub Epicenter.

Neeta is a disciple of Smt. Savita Devi and an ‘A’ grade artiste of the All India Radio, Delhi in Vocal Light Classical music as well as in the Ghazals category.

A distinguished dilettante of music and an accomplished vocalist, she did not disappoint.The renditions were in the Poorab-ang, that is the Benaras style of Thumri, Dadra, Kajri, Chaiti and Bhajan.

Accompanying Neeta on stage were Ustad Ghulam Sabir on the Sarangi, Ustad Ballu Khan Warsi on the Harmonium, Ustad Salim on the Tabla, and Shri Razak Ali on the Tanpura.

Neeta began the evening with a famous Thumri—Basuriyaa ab nahi bajao shyam…
In this thumri, the words nahi bajao were presented in various shades of emotions; from request to cajole, pleading to mild anger. Even though in the literal sense, Radha is asking Lord Krishna not to play his murli, inside her heart, she wants him to go on and on.

Thumri as the music lovers would know is a song of love, romance, passion, longing. Essentially an amorous mood of music, it came into prominence in the later half of the 19th century. The moods range from romance to apathy, from frolic to forbidden, from free-spirited to spiritual.

"Thumri is like an abstract art of expression and improvisation, like a bouquet where you have different types of flowers but each asthetically blending. Thumri is like a painting where you use different colours and strokes to create a beautiful work of art. Poorab-ang Thumri is deeply influenced by brijbhasha and the gayaki derives its spiritual inspiration from the bhakti cult, which probably explains the repeated themes of love and separation of Radha and Krishna", Neeta told right2review.com

Thumri was followed by a Dadra just as a Chota Khayal follows a Bada Khayal or a Vilambit Khayal. Dadra is one of the immensely popular styles owing to its arresting spell. Neeta’s next spell in the form of a dadra, Souten Ghan Na Ja... is a traditional composition, extremely popular with music lovers for over a 100 years.

Neeta dedicated dadra in the loving memory of Ma Siddheshwari Devi. This being one of her rarest gems. Tarpe Bin Balam Mora Jiya… surely delighted the listeners.

Neeta added from the stage, "This one is a surprise for my Guru. The practice that we follow prior to any event is that we sit together and decide on the kind of compositions that are to be presented. However, as I wanted this to be a surprise I didn’t disclose this particular one to her. I only hope that she along with all of you will also enjoy this one". Rooth Gayeele Saniyaan Hamaar… was rendered in a way that would have really done her Guru proud.

Neeta concluded the evening with a Sufiana Kalaam kafi, a poetic expression with a blend of mysticism.

Towards the end the listeners were informed by the MC, “The purpose of music, considered in relation to God, is to arouse the longing for God, and passionate love for Him, and to produce states in which God reveals Himself and His favours, which are beyond description and known only by experience. These states are called ecstasy.”

But we can say the same for all the renditions of the evening- ecstatic!

Sunday, June 15, 2008

Play Reading- Zukaam.... and Adhikaar



DO COME BACK AGAIN FOR THE REVIEW POST PERFORMANCE


Mashaal brings to you Samvaad , a play reading. Samvaad (meaning Dialouge in hindi) is a small effort to bring more plays to you thorugh the age-old medium of Reading. Play Reading is actors reading a play out loud, usually one actor reads the lines for one character. In this second edition of Samvaad, we will be experimenting with two short plays.

Plays : 'Zukaam Jaari Hai' and 'Adhikaar Ka Rakshak'

Language : Hindi
Date & Time : 5:00 pm, Sunday, June 15th 2008
Location : CFD (Centre for Film and Drama)
Duration : 60 minutes
Entry : Free
About The Plays :
Two One Act comedies. A witty act where a woman is convinced her end is near; a political satire dwelling into the hypocrisy in our society.

The Reading will start at 5.10 sharp, after a brief introduction to the plays and playwrights. Discussions about the plays will follow after the reading.


Mashaal is a theatre group formed by HDC, BITS, Pilani alumni.

Click http://mailmashaal.googlepages.com/samvaad to know more

Monday, April 28, 2008

Review of oldy 1978 art-house film- Kondura



Hi, stumbled on a very oldy and rare film, Kondura, while shopping at a Delhi mall. Had never heard about it and won't be surprised if you have not. But a Shyam Benegal film with Govind Nihalani for cameraman and Girish Karnad as one of the script writers, made the DVD simply irresistible. And add to that the formidable star cast of Anant Nag and Smita Patil, the lone disc appeared to be a real steal.

I have put the review on wikipedia, click on the title above and read about this art-house film from yore.

Thursday, April 17, 2008

Review of experimental theatre production "Beyond"


Thank you Rajiv for sending in this review. You too can send one at at@right2review.com


Yours Truly theatre group is a Bangalore Based English (primarily) theatre group which was set up sometime in 2002 by Ranji David and Nandini.

YT presented its latest production “Beyond” based on a play written by Badal Sircar, which was first staged in Kolkata sometime in 1972. The play was a culmination of a 6 Sundays workshop by professionals who rarely had any previous experience of proscenium theatre.

Although, the play did not complete as Badal Sircar wrote, it did add little spice and novelty by incorporating the idea of letting the audience complete the story by stopping it just 15 minutes before the end. This gave the opportunity to the audience to script the climax and improvise end of the play.

Liked more by the children than adults, the original play had 2 thieves Kena and Becha, who in order to escape from the hot chase given by the villagers, jump into the river only to be flown to a place called - Hattamala.

The play an adaptation of the original had a bunch of 6 thieves. After having funny experiences with the inhabitants of the land, the thieves led by Dada (Ranjan), soon realize that they have come to a place where there is no concept of money. Buying, selling and money were all alien concepts to the Hattamala people.

The thieves soon realize that this is the place they can easily have a soft kill when they come to know that there is a library in the town where besides books, jewellery is lend and borrowed and that too without anybody keeping a watch. So, the thieves come back to their natural instinct and strike at the library. As they were trying to vanish from the town with the booty, suddenly the Hattamala people catch them red-handed.

This and henceforth is what Badal Sircar had not written but conceived by Ranji the director himself. One more thing which I did not read in the script from Sircar was that the Hattamala people were puppets. Which again, I think is the director's vision to infuse some excitement for children and adult alike. The thieves are presented before their queen. While the public demands that the thieves must be exceuted. Now there is when, the play is stopped and audience is asked to script the climax of the play...
a) what would happen to theives?
b) will they be exceuted as demanded by the local people?

Ranji intervenes and with the help of the inputs from the audience, weaves a story while actors are on-stage waiting for the climax scent to be narrated by Ranji and then performed - impromptu.
The audience, gave suggestions from injecting Hattamalan virus (puppet like behaviour), to Dada blasting the court as Suicide Bomber. Anyhow, after a dicussion of over 10 mins, finally the actors were narrated the climax which was : The Queen falls for Dada as she realises that she herself was an alien and then ruled the land of innocent people while she orders the rest of the thieves who were dissuading Dada to fall in love with Queen to be injected with Hattaala Virus...and then the Queen leaves dada and runs away with rest of the Thieves while Dada is declared as King of Hattamala...
The villagers make merry and the show ends...
This climax was bound to get into chaos and the actors need not get any time to coordinate among themselves and keeping in mind the nascent stage of their acting skills they pulled up a great end which made audience to burst into laughter.

The play is considered to be a big hit especially for the children as there are very funny yet easy to understand incidences in the play.

In this play directed by Ranji David, the actors were professional working with Tech Mahindra in Bangalore. Well, prior to this main play there was a kind of prelude - Freedom play. It was actually, not a play but just a representation of how communal riots take place especially in rural areas were the population is not civilzed and how the leaders use the innocent people for their selfish gains. Ended with Mahatama Gandhi's - Vaishav jan to...it depicted that violence does not have any solution.......all it results is in - Destruction.
Ranji plans to take this play with more changes to the children. The group is involved in staging plays for NGOs from time to time and had recently performed at a Labor Camp in the outskirts of Bangalore.
In a nutshell - a good show and good Sunday entertainment.

Tuesday, April 8, 2008

Coming Soon-Review on Theatre Production "Beyond"


Hi the review of Beyond is under construction. Should be there soon. Keep wathcing this space if you are real theatre buff.

Saturday, March 15, 2008

Reviews on Tele-facing a new fundraising tool for NGOs

Tele-facing is fast emerging as a new tool for fundraising for NGOs in India, Asia and even in industrialised countries. It has been reviewed across several international sectoral publications. Click http://www.nonprofitfundraisingindia.blogspot.com/to know more.